Theatre of Safeguarding (noun, performative ritual)
Pronunciation: /ˈθɪə.tə əv ˈseɪfˌɡɑː.dɪŋ/
“No actual safety will occur, but
1. A performative display of concern, typically enacted by professionals who must be seen to safeguard, even when no one is actually being protected.
2. In SWANKian usage:
An elaborate production staged by institutions to appear ethical while avoiding real intervention. Cast includes social workers, designated safeguarding leads, risk assessors, and the ever-silent chorus of management.
Features:
- Overuse of the phrase “acting in the best interests.”
- Dramatic repetition of “we are concerned.”
- Endless documentation of concern with no material support.
- Obsession with thresholds.
- A refusal to exit stage left—even when asked.
Plot Summary:
A vulnerable person seeks help. The system responds with concern. Meetings are held. Forms are completed. Reports are filed. Nothing improves. Curtain falls. Encore begins.
Etymology:
Borrowed from the dramaturgical model of social interaction—except here, the audience is traumatised, the script never changes, and the actors never leave character.
See also:
Trauma by Protocol, Professional Pretence, Negligent Kingdoms, Institutional Gaslighting, Paper Warfare
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