“Though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of time. But if she could have looked a little further back… she would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward.” - Aslan, C.S. Lewis, The Lion, the Witch and the Wardrobe

Theatre of Safeguarding (noun, performative ritual)

Theatre of Safeguarding (noun, performative ritual)

Pronunciation: /ˈθɪə.tə əv ˈseɪfˌɡɑː.dɪŋ/

“No actual safety will occur, but

1. A performative display of concern, typically enacted by professionals who must be seen to safeguard, even when no one is actually being protected.

2. In SWANKian usage:

An elaborate production staged by institutions to appear ethical while avoiding real intervention. Cast includes social workers, designated safeguarding leads, risk assessors, and the ever-silent chorus of management.

Features:

  1. Overuse of the phrase “acting in the best interests.”
  2. Dramatic repetition of “we are concerned.”
  3. Endless documentation of concern with no material support.
  4. Obsession with thresholds.
  5. A refusal to exit stage left—even when asked.

Plot Summary:

A vulnerable person seeks help. The system responds with concern. Meetings are held. Forms are completed. Reports are filed. Nothing improves. Curtain falls. Encore begins.

Etymology:

Borrowed from the dramaturgical model of social interaction—except here, the audience is traumatised, the script never changes, and the actors never leave character.

See also:

Trauma by Protocol, Professional Pretence, Negligent Kingdoms, Institutional Gaslighting, Paper Warfare

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